Janáček, Leoš (1854-1928) | The Cunning Little Vixen (Sung in English) |
RCM International Opera School | |||
Michael Rosewell | Dirección | ||
Daniel Slater | Dirección de escena | ||
Hannah Wolfe | Diseño de vestuario | ||
Kieran Rayner | Barítono | Forester | 2017 nov 27, dic 01 |
Harry Thatcher | Barítono | Forester | 2017 nov 29, dic 02 |
Harriet Eyley | Soprano | Vixen (Bystrouška) | 2017 nov 27, dic 01 |
Julieth Lozano | Soprano | Vixen (Bystrouška) | 2017 nov 29, dic 02 |
Ida Ränzlöv | Mezzosoprano | Fox (Zlatohřbítek) | 2017 nov 27, dic 01 |
Nardus Williams | Soprano | Fox (Zlatohřbítek) | 2017 nov 29, dic 02 |
Beth Moxon | Mezzosoprano | Lapák | |
Beth Moxon | Mezzosoprano | Woodpecker | 2017 nov 27, dic 01 |
Beth Moxon | Mezzosoprano | Grasshopper | 2017 nov 29, dic 02 |
Lauren Morris | Mezzosoprano | Lapák | |
Lauren Morris | Mezzosoprano | Woodpecker | 2017 nov 29, dic 02 |
Lauren Morris | Mezzosoprano | Grasshopper | 2017 nov 27, dic 01 |
Timothy Edlin | Bajo-barítono | Badger, Parson | |
Richard Pinkstone | Tenor | Mosquito | 2017 nov 27, dic 01 |
Richard Pinkstone | Tenor | Schoolmaster | |
Thomas Erlank | Tenor | Mosquito | 2017 nov 29, dic 02 |
Thomas Erlank | Tenor | Schoolmaster | 2017 nov 27, 29, dic 01, 02 |
Josephine Goddard | Soprano | Forester’s wife | |
Christopher Andreas Adolph | Barítono | Harašta | |
Joel Williams | Tenor | Pásek | |
Katy Thomson | Soprano | Mrs Paškova | |
Anna Cooper | Soprano | Chocholka | |
Anna Cooper | Soprano | Jay, Pepík | 2017 nov 29, dic 02 |
Hannah Crerar | Soprano | Jay, Pepík | 2017 nov 27, dic 01 |
Catriona Hewitson | Soprano | Rooster | 2017 nov 27, dic 01 |
Hazel Neighbour | Mezzosoprano | Rooster | 2017 nov 29, dic 02 |
The RCM International Opera School and conductor Michael Rosewell present their autumn production of Janáček’s tragi-comic opera The Cunning Little Vixen.
An enchanted forest comes to life in a wooded glen on a summer afternoon. A clever Vixen is captured by a Forester, but she outwits him and escapes. As the story unfolds, she encounters many woodland animals along the way before finding love with a Fox and having cubs of her own. But her dealings with the Forester are far from over – he sets a trap, but then realises the splendour of nature all around him in a life-affirming final scene.
Exploring the cycles of life and nature, Janáček combines dance, folk music and sensuous orchestral interludes in this beguiling and thought-provoking opera.