Weill, Kurt (1900-1950) | The Threepenny Opera (Die Dreigroschenoper) (new production) |
Maxime Pascal | Dirección | |
Thomas Ostermeier | Dirección de escena | |
Magda Willi | Diseño de escena | |
Florence von Gerkan | Diseño de vestuario | |
Urs Schönebaum | Diseño de iluminación | |
Le Balcon | ||
Sébastien Dupouey | Videoarte | |
Christian Longchamp | Dramaturgia | |
Comédie-Française | ||
Johanna Lemke | Coreografía | |
Marie Oppert | Soprano | Polly Peachum |
Veronique Vella | Mezzosoprano | Celia Peachum |
Birane Ba | Tenor | Macheath |
Christian Hecq | Actor | Jonathan Jeremiah Peachum |
Benjamin Lavernhe | Barítono | Tiger Brown |
Claïna Clavaron | Soprano | Lucy |
Elsa Lepoivre | Mezzosoprano | Jenny |
Nicolas Lormeau | Barítono | Smith |
Who hasn’t heard of Mackie’s lament, that penetrating refrain, smooth as a sharpened razor blade? This year, the opening of the Festival takes an exceptional twist: after Mahagonny’s success (2019), the Archevêché will host, for the first time, the troupe of the Comédie-Française under the stage direction of Thomas Ostermeier for Weill and Brecht's other world-famous hit – The Threepenny Opera. A colourful anarchistic revue, a dark collage of haunting songs and danceable rhythms, this parody of opera demystifies a genre deemed bourgeois at a time when mass music is on the rise, and sarcastically describes the Weimar Republic – a period of moral confusion which is reminiscent of our own. Maxime Pascal will lead a dozen virtuoso multi-instrumentalists from his ensemble Le Balcon to perform the original version, for the first time on stage since its creation – a version that is more forceful and in line with Weill’s wishes. A few unpublished pages will be added, and a new translation will be made in close collaboration with the artistic team.