Intérprete: Allan Glassman

In Los Angeles, Patricia Racette was an impressive Salome but the orchestra was, as it should, the main character.

Richard Jones's production of Puccini’s Western opera La fanciulla del West is well sung, but fails to tap in to the Wild West atmosphere of the surroundings.

Kapstadt wagt den lohnenden Blick über den Tellerrand des Belcanto und zeigt eine Salome von begeisternder gesanglicher Leistung.

An internationally acclaimed singer with a career spanning well over 30 years should be granted almost whatever role he’d like to do. It would also be understandable if the singer chose a well-known, crowd-pleasing piece, but, as is quite evident by now, Ferruccio Furlanetto is not a typical singer.