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Intérprete: Anna Stéphany

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Classics at Klosters from Onofri and the Munich Chamber Orchestra

Soloists Anna Stéphany, Judith Spiesser, Werner Güra and James Atkinson © Benno Hunziker
Opening Klosters Music, Enrico Onofri proves that Classical-era music can still work well seen from a later perspective. 

L’Enfance du Christ au berceau de Berlioz à La Côte-Saint-André

L'Enfance du Christ au Festival Berlioz © Festival Berlioz / Bruno Moussier
Pas d'opéra cette année au Festival Berlioz mais l'oratorio du compositeur éponyme, bien servi par les forces polonaises des chœur et orchestre du NFM de Wrocław placées sous la direction de Paul McCreesh.

Sir Mark Elder bows out with Mahler 5 in Edinburgh

Sir Mark Elder and the Hallé © Maxime Ragni
Lili Boulanger evokes the abyss and Mahler struggles out of it, as Sir Mark Elder bids his final farewell to the Hallé. 

An outstanding Elijah from SCO and Maxim Emelyanychev

Maxim Emelyanychev with the SCO, Carolyn Sampson and Roderick Williams at BBC Proms 2023 © Chris Christodoulou

An outstanding Elijah from the Scottish Chamber Orchestra and Chorus with Maxim Emelyanychev, headed up by Roderick Williams, with Carolyn Sampson, Rowan Pierce, Anna Stéphany and Thomas Walker.

Intuitive gifts: Stutzmann unlocks the secrets of late Bruckner

Nathalie Stutzmann © LSO | Mark Allan
The Ninth forms a satisfying sequel to the conductor's mastery of the Seventh, marked by rhythmic spring and sonic splendour. 

Humperdinck's Hansel and Gretel strikes a sour note

Rosie Aldridge (Witch), Anna Stéphany (Hansel) and Anna Devin (Gretel) © ROH | Tristram Kenton
A forgettable Hansel and Gretel is the worst offence of Antony McDonald’s leaden staging which returns to Covent Garden. 
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ParísCendrillon

© Monika Rittershaus | OnP
Massenet: Cendrillon
Carlo Rizzi; Mariame Clément; Opéra national de Paris; Ching-Lien Wu; Julia Hansen; Ulrik Gad