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Operatic righteous anger or self-indulgence?
A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.
Profiling Goya at Spoleto Festival USA
In Michael Nyman's Facing Goya, the artist's head ends up in the worst possible hands.
The Met in HD, L'Elisir d'Amore, 2012
Read our review of Bartlett Sher's production of Rossini's L'Elisir d'Amore in its 2012 broadcast from the Met Opera in New York.