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Intérprete: Antal Cseh

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BudapestRossini / Mozart / Milhaud: Figaro3

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Rossini, Mozart, Milhaud
Hungarian State Opera Orchestra; Ádám Cser; Tamas Tarjányi; Orsolya Sztankay; Péter Rudolf; Krisztián Cser
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Fine voices, staid production: Rigoletto at Hungarian State Opera

Zita Szemere (Gilda) and Attila Mókus (Rigoletto) © Valter Berecz | Hungarian State Opera
Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

Sumptuous revival of Arabella at Hungarian State Opera

Polina Pasztircsák (Arabella) and Csaba Szegedi (Mandryka) © Attila Nagy | Hungarian State Opera
Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.

Elektra in Budapest: all goes well... until the last minute

Szilvia Rálik (Elektra) and Atala Schöck (Klytaemnestra) © Attila Nagy | Hungarian State Opera
Balázs Kovalik’s interpretation of Elektra is revived in Budapest, impressing until the B-movie cliché finale. 

Bánk bán evokes the loneliness of the Magyars at the Erkel Theatre

Considered Hungary's national opera, Ferenc Erkel's Bánk bán rarely travels beyond its borders, but is given a rousing performance by the Hungarian State Opera. 

Idiomatic Bluebeard's Castle from the Hungarians in New York

Powerful and evocative imagery, both literal and implied, lingered on beyond the drop of the curtain.

A worthy rarity: Erkel’s Bánk bán has its belated American première

The music, a combination of Italian-sounding melodies, German instrumentation and Hugarian dotted rhythms, was remarkably captivating.