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KuhmoMother's day
Sibelius, Webern, Clyne, Mozart, Merikanto, Schubert, Brahms
Arttu Kataja; Pauliina Tukiainen; Timo-Veikko Valve; Mackenzie Melemed
BruselasFalstaffVersión de concierto
Salieri: Falstaff, ossia Le tre burle
René Jacobs; La Monnaie | De Munt; B'Rock Orchestra; Chœur de chambre de Namur; Krešimir Stražanac; Grégoire Mour
BerlínLe nozze di Figaro
Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Marc Minkowski; Jürgen Flimm; Staatsoper Berlin; Magdalena Gut; Ursula Kudrna; Olaf Freese; Staatskapelle Berlin
BerlínTosca
Puccini: Tosca
Alexander Soddy; Alvis Hermanis; Staatsoper Berlin; Kristīne Jurjāne; Gleb Filshtinsky; Staatskapelle Berlin
BerlínDie Zauberflöte
Mozart: La flauta mágica (Die Zauberflöte)
Tim Fluch; August Everding; Staatsoper Berlin; Fred Berndt; Dorothée Uhrmacher; Franz Peter David; Staatskapelle Berlin
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To the Moon and back: Janáček’s Mr Brouček visits Berlin
Robert Carsen's new production of Janáček’s The Excursions of Mr Brouček for the Staatsoper Unter den Linden scores a well-deserved success thanks to a stellar – or rather, lunar – conducted by Sir Simon Rattle.
Punk loves pink in Mariame Clément’s Berlin Roméo et Juliette
The French director updates the action to the present day, underscoring the validity of the plot – feuding families and class differences are still relevant.
Straussian pastoral: Daphne at the Staatsoper Unter den Linden
Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.
A fable without morality: Eötvös' Sleepless fascinates and unsettles
Péter Eötvös’ new opera dazzles and dismays in equal measure at the Grand Théâtre de Genève.
A parable for our times: Eötvös' Sleepless premieres in Berlin
Peter Eötvös's thirteenth opera, based on the Trilogy by Norwegian author Jon Fosse, chronicles the struggles of a young couple to search for their own identity and place in society.
Un aquilon fougueux souffle sur Hippolyte et Aricie à la Philharmonie
L'Orchestre baroque de Fribourg dirigé par Sir Simon Rattle livre une interprétation formidable du chef-d'œuvre de Rameau, avec une distribution exceptionnelle jusque dans les importants rôles secondaires.