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GlasgowBeethoven's Symphony No.9 'Choral' with Hallé Choir
Chin, Beethoven
BBC Scottish Symphony Orchestra; Delyana Lazarova; Marta Fontanals-Simmons; Francesca Chiejina; Santiago Sánchez; Barnaby Rea
FlorenceWozzeckNueva producción
Berg: Wozzeck
Thomas Guggeis; Deborah Warner; Maggio Musicale Fiorentino; Hyemi Shin; Nicky Gillibrand; Adam Silverman; Orchestra del Maggio Musicale Fiorentino
LondresCarmen
Bizet: Carmen
Sesto Quatrini; Damiano Michieletto; The Royal Opera; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestra of the Royal Opera House Covent Garden
Frankfurt am MainLe Postillon de Lonjumeau
Adam: Le Postillon de Lonjumeau
Benjamin Reiners; Hans Walter Richter; Oper Frankfurt; Kaspar Glarner; Jakob Bogensperger; Frankfurter Opern- und Museumsorchester
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Mártires y acosados: Peter Grimes en el Real
La nueva producción de Peter Grimes se alza como la mejor propuesta de la temporada del Real con una magnífica dirección de Deborah Warner en la escena e Ivor Bolton en lo musical y una sobresaliente actuación vocal y dramática.
Peter Grimes drops anchor again at The Royal Opera
Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.
Ermonela Jaho returns in triumph to The Royal Opera’s Traviata
Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.
Decadence and decay: Asmik Grigorian leads a sensational Salome
Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”.
ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance
Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.
Pelly signe un Songe de l’étoffe d’un rêve à Lausanne
La mise en scène par Laurent Pelly vient réparer un manque : le chef-d’œuvre onirique et féérique de Britten n'avait encore jamais été donné dans l’opéra de la capitale vaudoise.