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Venables We Are the Lucky Ones is the time to be alive at DNO
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Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.
Stimmakrobatin vs. Klavierlöwe: Claron McFadden und Alexander Melnikov
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McFaddens ergreifend schöne Melodieführung und Melnikovs schimmernde Klavierfarben machten den Konzertabend zu einem unvergesslichen Hörerlebnis.
Dido and Aeneas reworked as performance art
Though ambitious and occasionally arresting, this revised and expanded take on the Purcell classic suffers from subtraction by addition.
