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Intérprete: Daniel Applebaum

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A hit and a miss from Justin Peck and epic Balanchine

Adrian Danchig-Waring and Sterling Hyltin in George Balanchine’s Symphony in Three Movements © Paul Kolnik
Ballets live and die by their scores – as Balanchine knew when he kept returning to Stravinsky. His Symphony in Three Movements will live forever, as will Justin Peck's The Times are Racing, to Dan Deacon's America.

Barber, Broadway and Balanchine bring a buzz to New York City Ballet

Sara Mearns in Balanchine's Slaughter on Tenth Avenue © Paul Kolnik
Maria Kowroski and Tyler Angle at the top of their game in Diamonds. A smoking performance from Sara Mearns in Slaughter on 10th Avenue. Strong debuts from Emma Von Enck and Taylor Stanley and a memorable classical turn by Aaron Sanz in the Barber.

All Robbins at NYCB

When de Luz reached down and laid his hand on the floor in the final Nocturne, it suggested to me that, on this night and with these dancers, the stage was sacred ground.

Emerging talent at NYCB

Andrew Scordato and Megan LeCrone © Paul Kolnik
Miriam Miller is the latest ballerina to stand out from the crowded field at City Ballet and she may well be the best at such a young age since Sara Mearns. 

Ill pairing in an all Balanchine program at NYCB

The double bill of Liebeslieder Walzer and Tschaikovsky Suite No. 3 is a cloying juxtaposition that serves neither well at New York City Ballet. A handful of fascinating performances rescue the evening.