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A spectacular triple bill lifts ABT’s spring season in New York
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
American Ballet Theatre: Kyle Abraham's Mercurial Son disappoints
Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.
He's not nice, he's amazing: ABT's Fall season opener
A strong opening to ABT’s fall season, the company often seemed stagnant in the last years of Kevin McKenzie’s directorship. It is now more exciting. New leadership, new faces.
Empty calories: Ratmansky's Whipped Cream is sweet but slight
American Ballet Theatre kicks off its fall season with Ratmansky's culinary creation based on the two-act 1924 ballet, originally created as Schlagobers.
ABT’s Giselle shows that to forgive is divine
A classic staging at the Kennedy Center turned resplendent in the second act.
ABT's damp, dreary Jane Eyre disappoints
If you love Jane Eyre, stick to the novel. There's more female empowerment in those pages than in Cathy Marston's choreography.