Intérprete: Gidon Saks

Foccroulle’s limited score imitates environmental catastrophe while Jocelyn’s libretto tries – unevenly – to understand why we might ignore it.

Dans cette reprise d'une production créée en 2016, Bo Skovhus est magistral dans le rôle-titre. L'œuvre s'avère une nouvelle fois un des moments forts de la programmation de l’Opéra de Paris.

Invigorating in the pit, Britten’s Billy Budd never gets its sea legs on the National Theatre stage.

A successful concert hall Rake's Progress at the Edinburgh International Festival with an impressively strong cast of singers, Scottish Chamber Orchestra and Royal Conservatoire Voices under Sir Andrew Davis.

Deutsche Oper Berlin’s Billy Budd, although musically satisfying, suffers through an ambiguously set production. 

There’s something quite strongly “neoclassical” about the whole historically-informed performance movement. Someone like Sir John Eliot Gardiner, who has championed the use of detailed historical knowledge of performance practice and instruments, has never actually been attempting to transport us all back to the 18th century. That would be futile, obviously.