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Intérprete: Giorgio Berrugi

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SavonlinnaNabucco

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Verdi: Nabucco
Iván López Reynoso; Rodula Gaitanou; takis; Jake Wiltshire; Savonlinna Opera Festival Orchestra
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A monumental Eighth from Klaus Mäkelä and the Royal Concertgebouw

Klaus Mäkelä conducts the Royal Concertgebouw Orchestra © Eduardus Lee
Time stands still in Amsterdam as seven soloists and four choirs join forces with the Royal Concertgebouw Orchestra for one of Mahler's greatest challenges, his Eighth Symphony. 

World premiere success for Filidei’s Il nome della rosa at La Scala

Kate Lindsey (Adso da Melk) and ensemble © Teatro alla Scala | Brescia e Amisano

A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose

Mushroom clouds of fantasy: The Tales of Hoffmann in Riga

Giorgio Berrugi (Hoffmann) and Štěpánka Pučálková (NIcklausse) © Agnese Zeltina | Latvian National Opera
A new steampunk staging for Latvian National Opera stays true to the fantastical invention of Hoffmann and Offenbach. 

The revival of a forgotten work: L’amore dei tre re at La Scala

Evgeny Stavinsky (Archibaldo), Roman Burdenko (Manfredo), Chiara Isotton (Fiora) © Teatro alla Scala | Brescia e Amisano
The only great success of composer Italo Montemezzi finds new life at La Scala, in a production by La Fura dels Baus with a solid cast, led by conductor Pinchas Steinberg.

Inheriting Callas’ crown in Athens: Pirozzi takes on Medea

Anna Pirozzi (Medea) © GNO | Andreas Simopoulos
The punishing role of Medea is forever associated with Maria Callas. To celebrate the diva’s centenary, Greek National Opera presents a new production by Sir David McVicar, starring Italian soprano Anna Pirozzi.

Spannung bis zum letzten Takt: Cavalleria rusticana in Baden-Baden

Carolina López Moreno (Santuzza) und Elisabetta Fiorillo (Mamma Lucia) © Andrea Kremper
Mit der Aufführung von Pietro Mascagnis Originalfassung hat Thomas Hengelbrock mit den Balthasar-Neumann-Ensembles und einem großartigen Solistenensemble diese Oper aus der Ecke der banalen Folkloreopern herausgeholt.