Live EventsVer más...
MúnichDon Giovanni
Mozart: Don Giovanni
Vladimir Jurowski; David Hermann; Bayerische Staatsoper; Jo Schramm; Sibylle Wallum; Felice Ross; Bayerisches Staatsorchester
VerbierCosì fan tutteVersión de concierto
Mozart: Così fan tutte
Gábor Takács-Nagy; Verbier Festival Chamber Orchestra; Johanna Wallroth; Rebecka Wallroth; Giovanni Sala
SalzburgoLucio SillaVersión semiescenificada
Mozart: Lucio Silla
Ádám Fischer; Birgit Kajtna-Wönig; Mozarteumorchester Salzburg; Bachchor Salzburg; Giovanni Sala; Sara Blanch
EdinburghMozart’s Don GiovanniVersión de concierto
Mozart: Don Giovanni
Maxim Emelyanychev; Scottish Chamber Orchestra; Scottish Chamber Orchestra Chorus; Konstantin Krimmel; Michael Sumuel
NaplesMitridate, re di Ponto, K87 (K74a)Nueva producción
Mozart: Mitridate, re di Ponto, K87 (K74a)
Riccardo Frizza; Claus Guth; Teatro di San Carlo; Christian Schmidt; Ursula Kudrna; Olaf Winter; Orchestra del Teatro di San Carlo
Últimas críticasVer más...
Sorprendente e innovadora Flauta mágica en Les Arts
Simon McBurney sorprende al público de Les Arts con una innovadora producción de La flauta mágica.
Macbeth ilustra el fin del capitalismo en Les Arts
Luca Salsi y Anna Pirozzi encarnan el matrimonio Macbeth en una satisfactoria producción ambientada en la actualidad.
Ermonela Jaho returns in triumph to The Royal Opera’s Traviata
Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.
The game of love: Robert Carsen’s new Così fan tutte at La Scala
Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.
World premiere success for Filidei’s Il nome della rosa at La Scala
A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose.
A forgotten meta-opera at La Scala: Gassmann’s L’opera seria
Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos.