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Matthew Bourne’s The Midnight Bell: emotionally compelling
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In The Midnight Bell, Sir Matthew Bourne has produced some of his best choreography, loose and free-flowing but tense with desire and mixed with dread.
Matthew Bourne's Edward Scissorhands: a huge cut above average
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Bourne's Edward Scissorhands may not have quite the dramatic impact of his Romeo and Juliet or Swan Lake, but there is much to applaud and enjoy.
A trip back in time to fog-bound Soho and Fitzrovia
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A world premiere for New Adventures is much less dance than theatre but, when needed, Bourne's choreography carries the story along outstandingly.