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BudapestMozart: Die Zauberflöte
Mozart: La flauta mágica (Die Zauberflöte)
Péter Halász; Miklós Szinetár; Hungarian State Opera; Dárius Teremi; Péter Horgas; Rita Velich; Hungarian State Opera Orchestra
BudapestOrff: Carmina Burana
Orff: Carmina Burana
Hungarian State Opera Orchestra; Tibor Bogányi; Tímea Papp; Mónika Szelei; Dániel Erdélyi; Erika Miklósa
BudapestR. Strauss: SalomeNueva producción
Strauss R.: Salomé
Martin Rajna; Máté Szabó; Hungarian State Opera; Márton Ágh; Ildikó Tihanyi; Csaba Szilárdi; Nicole Chevalier
BudapestRossini: Il barbiere di Siviglia
Rossini: Il barbiere di Siviglia
Sámuel Csaba Tóth; Csaba Káel; Hungarian State Opera; Éva Szendrényi; Anikó Németh; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
BudapestNabucco
Verdi: Nabucco
Gergely Kesselyák; Hungarian State Opera; Edit Zeke; Janó Papp; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
Últimas críticasVer más...
Ringelspiel mit Anfassen: Das Spitzentuch der Königin am MTadW
Christian Thausing liefert mit Das Spitzentuch der Königin von Johann Strauss II am frisch renovierten Theater an der Wien eine etwas lustlose Neuinszenierung ab, die leider auch musikalisch keine echten Highlights bietet.
Fine voices, staid production: Rigoletto at Hungarian State Opera
Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.
Sumptuous revival of Arabella at Hungarian State Opera
Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.
Of whales and metaphors: Peter Eötvös' Valuska premieres in Budapest
Peter Eötvös' 13th opera – the first in his native Hungarian – premieres at the Eiffel Art Studios in Budapest.
Elektra in Budapest: all goes well... until the last minute
Balázs Kovalik’s interpretation of Elektra is revived in Budapest, impressing until the B-movie cliché finale.
A worthy rarity: Erkel’s Bánk bán has its belated American première
The music, a combination of Italian-sounding melodies, German instrumentation and Hugarian dotted rhythms, was remarkably captivating.