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Die Hoffnung stirbt zuletzt: Drei Schwestern von Eötvös in Salzburg
Die Hommage an den 2024 verstorbenen ungarischen Komponisten wird zum Großerfolg: Evgeny Titov wartet mit einer schlüssigen Inszenierung auf, und Maxime Pascal steuert mit dem Klangforum Wien viel Atmosphärisches bei.
Lessons in Love and Violence: gorgeous tragedy without a heart
Given a new production by Evgeny Titov, Benjamin's second full-length opera is musically brilliant, but its examination of our inner darkness lacks heart.
Lear in Munich: brilliant performance, but lifelessly staged
A superb cast of singers is let down by Christoph Marthaler's cold, stilted staging as Reimann's Lear returns to its birthplace.
“The Predator Punish'd”: Longborough's new Don Giovanni
Paula Sides as Donna Anna has an appealing sound throughout her range, a hint of spinto power, and gave the vocal performance of the night.
Le sacrifice de Bérénice : longue rupture à l’Opéra Garnier
Avec Bérénice, donnée en création à l’Opéra Garnier, le compositeur Michael Jarrell revisite la tragédie épurée de Racine, avec les voix inspirées de Barbara Hannigan et Bo Skovhus.
Holliger’s new Lunea: pages from a poet’s Life
Heinz Holliger’s Lunea, which recently premiered at the Zurich Opera House, is “not an opera”, or so the ground-breaking Swiss composer contends.