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PragaDie Zauberflöte (The Magic Flute)

Mozart: La flauta mágica (Die Zauberflöte)
Jaroslav Kyzlink; Vladimír Morávek; Prague National Theatre Opera; Zdeněk Klauda; Miroslav Huptych; Tomáš Kypta; Prague National Theatre Orchestra
PragaThe Bartered Bride (Prodaná nevěsta)

Smetana: La novia vendida
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
PragaThe Devil and Kate (Cert a Kácal)

Dvořák: The Devil and Kate (Cert a Kácal)
Jaroslav Kyzlink; Marián Chudovský; Prague National Theatre Opera; David Švec; Adolf Born; Prague National Theatre Orchestra
PragaAvant-Garde

Richter, Haubrich, Martinů
Robert Bondara; Jiří Kylián; Marco Goecke; The Czech National Ballet; Jaroslav Kyzlink; Diana Marszałek; Martyna Kander; Daniel Tesař
PragaIl barbiere di Siviglia

Rossini: Il barbiere di Siviglia
Jaroslav Kyzlink; Magdalena Švecová; Prague National Theatre Opera; Jan Chalupecky; David Janošek; Kateřina Štefková; Pavla Beranová
PragaLibuše

Smetana: Libuše
Robert Jindra; Jan Burian; Prague National Theatre Opera; Jaroslav Kyzlink; Petr Zuska; Kateřina Štefková; Daniel Dvořák
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Avant-Garde: an eclectic triple bill in Prague

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.
Musically excellent Bartered Bride in Prague marred by meta production

Smetana in Prague is never likely to be less than a delight, and the National Theatre assembles a fine cast for a revival of Alice Nellis' production of his greatest opera.
Bieito's parched aesthetic strips the emotion from Kátya Kabanová

The Spanish director's emotionally-sapped staging for the Prague National Theatre travels to Brno for the Janáček Festival.
In Prague, Calixto Bieito delivers a hollow Kátya Kabanová
Powerful visuals can't compensate for an otherwise empty production of Janáček’s gripping tragedy.
A star-studded disappointment in Prague
Lively singing saves Magdalena Švecová's listless production of Il barbiere di Siviglia at the Národní divadlo.
A dark distaff Turandot in Prague
Slovak director Zuzana Gilhuus' serendipitous production could hardly be more timely.
