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PragaThe Bartered Bride (Prodaná nevěsta)
Smetana: La novia vendida
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
PragaThe Devil and Kate (Cert a Kácal)
Dvořák: The Devil and Kate (Cert a Kácal)
Jaroslav Kyzlink; Marián Chudovský; Prague National Theatre Opera; David Švec; Adolf Born; Prague National Theatre Orchestra
PragaIl barbiere di Siviglia
Rossini: Il barbiere di Siviglia
Jaroslav Kyzlink; Magdalena Švecová; Prague National Theatre Opera; Jan Chalupecky; David Janošek; Kateřina Štefková; Pavla Beranová
BrnoThe Beginning of a Romance (Počátek Románu)Nueva producción
Janáček: The Beginning of a Romance (Počátek Románu)
Ondrej Olos; Marek Řihák; Tomáš Rusín; Zora Davidová; Pavla Beranová; Czech Virtuosi
PragaThe Bartered Bride (Prodaná nevěsta)
Smetana: La novia vendida
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
Últimas críticasVer más...
Musically excellent Bartered Bride in Prague marred by meta production
Smetana in Prague is never likely to be less than a delight, and the National Theatre assembles a fine cast for a revival of Alice Nellis' production of his greatest opera.
A politically charged new Manon in Prague
Puccini's classic takes on a harsh contemporary edge in a dark treatment by director Sláva Daubnerová at Prague's National Theatre.
At Prague’s National Theatre, a witty, well-kept Smetana Secret
Aided by spirited singers and enthusiastic musicians, director Ondřej Havelka brings an imaginative, ironic touch to a lesser-known Smetana opera.
A banner Bystrouška in Prague: The Cunning Little Vixen
Jakub Hrůša returns to his Moravian roots leading the Czech Philharmonic in a stellar concert performance of Janáček's Cunning Little Vixen.
Tuttifäntchen: a sweet Christmas confection in Prague
The Prague National Theatre serves up a bright finish to its insightful, troubling tour of interwar music.
Puccini prequel disappoints at the Prague National Theatre
Adding a prequel to Gianni Schicchi mostly proves that a prequel isn't necessary...