Intérprete: John Neumeier

London City Ballet are back on at Sadler’s Wells in an intriguing double bill comprising John Neumeier’s Ghost Light and Glen Tetley’s Firebird. The company is looking stronger than ever.

John Neumeier's take on the traditional tale of Cinderella was a deliberate attempt to break free from the classic fairytale when it first premiered in 1992.

WINNDance is an exciting and much-needed initiative, with ambitious plans for artistic collaboration and education, and a commitment to creating new possibilities for dancers at different stages of their careers.

Les Ballets de Monte-Carlo managed to throw a thrilling surprise party, with every detail curated under the sign of Diaghilev and the Ballets Russes, to celebrate the 40th anniversary of the company.

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

Czech National Ballet scores a hit in John Neumeier’s masterpiece Liliom, with back to back performances and multiple casts.

Choreographer John Neumeier talks about his work with Czech National Ballet and his ballet Liliom, on keeping ballets alive, 54 years as a director and the importance of working closely with individuals.

Alina Cojocaru talks about the magical process of creating new roles, working with great choreographers and how, in spite of a long career, she is still learning every day.

Lynne Charles tells us why she has become passionate about teaching and why the mix of contemporary and classical choreography requires an urgent rethink of training and injury prevention.