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PragaDido and Aeneas
Purcell: Dido and Aeneas
Michael Hofstetter; Alice Nellis; Prague National Theatre Opera; Matěj Cibulka; Kateřina Štefková; Ivo Dankovič; Prague National Theatre Orchestra
PragaPlatée
Rameau: Platée
Václav Luks; SKUTR (Martin Kukučka and Lukáš Trpišovský); Prague National Theatre Opera; Jakub Kopecký; Simona Rybáková; Jan Dörner; Collegium 1704
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Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts
In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.
A rambunctious Platée revival in Prague
SKUTR's daring direction and Václav Luks's early music expertise combine to bring new vitality to a Baroque classic.
Deux Iphigénie en cale sèche pour l'ouverture du Festival d’Aix
Dmitri Tcherniakov se montre étonnamment peu inventif au moment de relier en un diptyque les deux œuvres de Gluck. Musicalement, le spectateur reste aussi sur sa faim malgré de très beaux passages.
Warlikowski’s prison: From the House of the Dead in Rome
The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko conducting.
Rattle and the LSO chill the soul in Kátya Kabanová
Amanda Majeski reprises her peerless Kátya, but Katarina Dalayman's flint-like characterisation as Kabanicha strikes the most sparks.
Kátya Kabanová flies to Rome for the first time
Richard Jones' setting is superb in its bare minimalism, but he pays great attention to all the psychological nuances in Janáček's opera.