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MelbourneLa bohème
Puccini: La bohème
Finnegan Downie Dear; Constantine Costi; Opera Australia; Dann Barber; Sabina Myers; Morgan Moroney; Orchestra Victoria
MelbourneWatershed: The Death of Dr Duncan
Twist: Watershed: The Death of Dr Duncan
Brett Weymark; Neil Armfield; Opera Australia; Ailsa Paterson; Nigel Levings; Orchestra Victoria
MelbourneThe Australian Ballet – Swan Lake
Chaikovskiï: El lago de los cisnes
Marius Petipa; Lev Ivanov; Anne Woolliams; The Australian Ballet; David Hallberg; Daniel Ostling; Mara Blumenfeld; T.J. Gerckens
MelbourneThe Australian Ballet – Kunstkamer
Various: Kunstkamer
Paul Lightfoot; Sol León; Crystal Pite; Marco Goecke; The Australian Ballet; Joke Visser; Tom Bevoort; Orchestra Victoria
MelbourneThe Australian Ballet – Mayerling
Liszt: Mayerling
Sir Kenneth MacMillan; The Australian Ballet; Nicholas Georgiadis; Jacopo Pantani; Orchestra Victoria
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A spellbinding Turn of the Screw from Victorian Opera
Rachelle Durkin shines leading a perfect cast in a totally spellbinding production by Stuart Maunder of Britten's The Turn of the Screw in Melbourne.
The Australian Ballet in Melbourne: three prismatic worlds
In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.
Mozart’s Abduction from the Seraglio updated for Melbourne
Director Constantine Costi updates the action of Mozart's Singspiel to a secluded cross between a cult headquarters and a nightclub.
Alice's Adventures in Wonderland: Wheeldon’s ballet brought to life
The Australian Ballet revives Christopher Wheeldon's wildly imaginative take on Alice in Wonderland, in a magical masterpiece of wit and colour.
Australian Ballet's Don Quixote: a showpiece for excellence
This Don Quixote reveals the extraordinary depth of talent within Australian Ballet, challenging all ranks of the company and presenting a stellar production.
Send in the clowns: Alexei Ratmansky revives Harlequinade
A lovingly reproduced historical reconstruction, but is it enough to connect with modern Australian audiences?