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Blackburn's futuristic Coppélia makes these robots hard to love
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Bleak adaptations of ballet classics are somewhat of a ballet trend at present, with Matthew Bourne’s gothic Sleeping Beauty playing to sell out audiences over Christmas
Stars and the score shine in The Count of Luxembourg
Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.
Die Zauberflöte in Düsseldorf
Animated characters are the real stars of an imaginative production of The Magic Flute.