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ToulouseMaîtres américains
Hindemith, Adams
George Balanchine; Peter Martins; Ballet de l'Opéra national du Capitole; Michael Balke; Mark Stanley
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Mejia debuts in a sumptuous Sleeping Beauty at New York City Ballet
Roman Mejia and a raft of soloist debuts galvanized Peter Martins' Sleeping Beauty. An elegant production with some incidental messiness and the structural liability of a princess' dependence on a kiss.
Few signs of heat in a mixed bill at New York City Ballet
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.
Sara Mearns makes Swan Lake watchable again
Peter Martins' Swan Lake continues to divide ballet fans. Can Sara Mearns unite them, 19 years after her astonishing debut as Odette-Odile?
New York City Ballet Goes Four for Four
One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.
The Sleeping Beauty: NYCB relishes this traditional version
If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.
New York audiences still flock to Balanchine's uninspired Swan Lake
Balanchine's unbreakable Serenade leads a mixed bill that includes his less than inspired one-act version of Swan Lake.