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ToulouseMaîtres américains
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Hindemith, Adams
George Balanchine; Peter Martins; Ballet de l'Opéra national du Capitole; Michael Balke; Mark Stanley
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Mejia debuts in a sumptuous Sleeping Beauty at New York City Ballet
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Roman Mejia and a raft of soloist debuts galvanized Peter Martins' Sleeping Beauty. An elegant production with some incidental messiness and the structural liability of a princess' dependence on a kiss.
Few signs of heat in a mixed bill at New York City Ballet
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New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.
Sara Mearns makes Swan Lake watchable again
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Peter Martins' Swan Lake continues to divide ballet fans. Can Sara Mearns unite them, 19 years after her astonishing debut as Odette-Odile?
New York City Ballet Goes Four for Four
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One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.
The Sleeping Beauty: NYCB relishes this traditional version
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If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.
New York audiences still flock to Balanchine's uninspired Swan Lake
Balanchine's unbreakable Serenade leads a mixed bill that includes his less than inspired one-act version of Swan Lake.
