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Intérprete: Philip Higham

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LondresRobin Tritschler / Malcolm Martineau / Philip Higham

Wigmore Hall
Bush, Berkeley, Bennett, Britten
Robin Tritschler; Malcolm Martineau; Philip Higham

LondresPhilip Higham

Wigmore Hall
Britten
Philip Higham, Violonchelo

EdinburghBrahms Double Concerto

© Christopher Bowen
Weber, Brahms, Schumann
Scottish Chamber Orchestra; Maxim Emelyanychev; Nicola Benedetti; Philip Higham

GlasgowBrahms Double Concerto

© Christopher Bowen
Weber, Brahms, Schumann
Scottish Chamber Orchestra; Maxim Emelyanychev; Nicola Benedetti; Philip Higham

PerthBrahms Double Concerto

© Christopher Bowen
Weber, Brahms, Schumann
Scottish Chamber Orchestra; Maxim Emelyanychev; Nicola Benedetti; Philip Higham

EdinburghBrahms Double Concerto

© Christopher Bowen
Weber, Brahms, Schumann
Scottish Chamber Orchestra; Maxim Emelyanychev; Nicola Benedetti; Philip Higham
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A Midsummer meditation mix from the SCO Chorus

SCO Chorus © Christopher Bowen (2022)

The SCO Chorus in a meditative mood for midsummer in music by Glass, Taverner, MacMillan and Duruflé. 

Snow on Snow: SCO Chorus brightens the solstice darkness

The SCO Chorus and Gregory Batsleer © Christopher Bowen (2022)

A delightful seasonal showcase from the SCO Chorus, directed and conducted by Gregory Batsleer, in a programme of ancient and modern music and texts in the historic setting of Greyfriars Kirk.

Mozart and Fauré from Susan Tomes and a scaled-down SCO

Tomes grips the eye as well as the ear, for she has mastered the art of throwaway perfectionism in music that's in her blood.

Exciting departure from the mainstream by Scottish Chamber Orchestra

Maxim Emelyanychev gave individual string players from the SCO more airtime and more of a “chamber” feel to an intriguing programme of Baroque, Classical and Romantic works.

Schubert bookends memorable Tchaikovsky from SCO and Emelyanychev

SCO cellist Philip Higham plays memorable Rococo Variations, bookended by lively Schubert conducted by the dynamic Maxim Emelyanychev.

A challenging cello recital, beautifully played at Wigmore Hall

Philip Higham and Susan Tomes took on Beethoven, Josef Suk, Janáček, Debussy and Nadia Boulanger without missing a beat, no page turner allowed, and no intermission.