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LondresElder Conducts Weber’s ‘Oberon’Versión semiescenificada
Weber: Oberon
Sir Mark Elder; Orchestre Révolutionnaire et Romantique; Monteverdi Choir; Nicky Spence; Jennifer Davis
MúnichRigoletto
Verdi: Rigoletto
Daniele Rustioni; Barbara Wysocka; Bayerische Staatsoper; Barbara Hanicka; Julia Kornacka; Marc Heinz; Bayerisches Staatsorchester
Nueva YorkHandel’s Messiah
Handel: El Mesías
New York Philharmonic; Jeannette Sorrell; Jeanine De Bique; Rachael Wilson; Ed Lyon; Paweł Horodyski
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Pulsiones, deseos y enredos: Le nozze di Figaro en el Teatro Real
La legendaria y perspicaz producción de Claus Guth para Salzburgo visita Madrid lastrada por un reparto insuficiente.
Wagners Tannhäuser in Zürich: die Geliebte als Statue
Bei der letzten Saison-Premiere am Opernhaus Zürich wirken zwei Neulinge mit. Die Inszenierung von Thorleifur Örn Arnarsson und das Dirigat von Tugan Sokhiev lassen indes wenig Begeisterung aufkommen.
Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper
Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
Blinded by passion: Cav & Pag returns to the Royal Opera House
Questionable conducting aside, The Royal Opera's latest revival of Damiano Michieletto’s fluid production of the famous operatic double-bill is terrifically executed by two excellent casts.
A Glyndebourne Dream that works its sinister magic
A strong revival cast, conducted by Dalia Stasevska, demonstrate why Sir Peter Hall's 1981 vintage staging of Britten’s A Midsummer Night's Dream is such a classic.