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MúnichSemele

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Handel: Semele
Leonardo García-Alarcón; Claus Guth; Bayerische Staatsoper; Michael Levine; Gesine Völlm; Michael Bauer; Bayerisches Staatsorchester

MúnichDoctor AtomicNueva producción

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Adams: Doctor Atomic
Gemma New; Claus Guth; Bayerische Staatsoper; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester

MúnichDoctor AtomicNueva producción

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Adams: Doctor Atomic
Gemma New; Claus Guth; Bayerische Staatsoper; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester

Nueva YorkJenůfaNueva producción

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Janáček: Jenůfa
Tomáš Hanus; Claus Guth; Metropolitan Opera; Michael Levine; Gesine Völlm; James Farncombe; The Metropolitan Opera Orchestra

VienaTurandot

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Puccini: Turandot
Henrik Nánási; Claus Guth; Wiener Staatsoper; Étienne Pluss; Ursula Kudrna; Olaf Freese; Orchestra of the Vienna State Opera
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El esperado Orlando del Teatro Real queda en una propuesta mediocre

© Javier del Real | Teatro Real
Ni el excelente trabajo de la orquesta logra rescatar el peso de unos cantantes a medio gas y de una escena con fondo escaso y forma agotada.

Handel’s Il trionfo del tempo e del disinganno returns to Rome

Johanna Wallroth (Bellezza) and ensemble © Fabrizio Sansoni
Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707. 

Semele at Dutch National Opera: myth, desire and fantasy

Elsa Benoit (Semele) © Bart Grietens

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

Hotel Metamorphosis: Vivaldi reborn through Ovid's lens in Salzburg

Nadezhda Karyazina and Cecilia Bartoli in Hotel Metamorphosis © © SF/Monika Rittershaus

A pasticcio of superb musicianship is the main event at the Venice-themed Whitsun Festival.

Claus Guth directs a tormented, harrowing new Salome at the Met

Elza van den Heever (Salome) © Evan Zimmerman | Met Opera
Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition. 

Kaltes Metall und süßes Verstehen: Goldglänzende Danae in München

Manuela Uhl (Danae) © Geoffroy Schied
Im letzten Moment vor der Premiere durch eine Einspringerin gerettet: Strauss' Spätwerk beeindruckt mit straffer Regie und süffig schillernder Musik.
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ParísDon Pasquale

© Vincent Pontet | OnP
Donizetti: Don Pasquale
Evelino Pidò; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris

ParísDon Quichotte

Opéra national de Paris
Massenet: Don Quichotte
Patrick Fournillier; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris

Aix-en-ProvenceSamsonEstreno absoluto

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Rameau: Samson
Raphaël Pichon; Claus Guth; Étienne Pluss; Ursula Kudrna; Bertrand Couderc; Pygmalion