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MúnichFidelio

Beethoven: Fidelio
Yoel Gamzou; Calixto Bieito; Bayerische Staatsoper; Rebecca Ringst; Ingo Krügler; Reinhard Traub; Bayerisches Staatsorchester
SaratogaBeethoven’s Ninth with Yannick

Beethoven: Sinfonía núm. 9 en re menor "Coral", op. 125
The Philadelphia Orchestra; Yannick Nézet-Séguin; Leah Hawkins; J'Nai Bridges; Issachah Savage; Ryan Speedo Green
Nueva YorkMacbethNueva producción

Verdi: Macbeth
Yannick Nézet-Séguin; Louisa Proske; Metropolitan Opera; Jon Bausor; Montana Levi Blanco; Adam Silverman; The Metropolitan Opera Orchestra
PhiladelphiaOpening Night | Beethoven 9

Hisaishi, Beethoven
The Philadelphia Orchestra; Yannick Nézet-Séguin; Leah Hawkins; J'Nai Bridges; Issachah Savage; Ryan Speedo Green
ÁmsterdamDer fliegende HolländerNueva producción

Wagner: Der fliegende Holländer (El holandés errante)
Susanna Mälkki; Lotte de Beer; Dutch National Opera; Christof Hetzer; Alex Brok; Netherlands Philharmonic Orchestra
Nueva YorkParsifal

Wagner: Parsifal
Yannick Nézet-Séguin; François Girard; Metropolitan Opera; Michael Levine; Thibault Vancraenenbroeck; David Finn; The Metropolitan Opera Orchestra
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Dudamel’s LA Phil Walküre proves worth the wait

An enveloping performance of Die Walküre spans three consecutive evenings, featuring world class singing in Frank Gehry’s stunning space.
Tristan und Isolde at the Met: staging gets in the way of the music

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.
Porgy and Bess returns stronger than ever at the Met

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.
Ivo van Hove’s Don Giovanni makes a welcome reappearance at the Met

Opera lovers’ favorite roué is back at the Met, with the charismatic Ryan Speedo Green taking on the title role.
As usual, Beethoven ushers out the BSO season at Tanglewood

The season-ending performance of Beethoven's Ninth Symphony loses its intended conductor but remains enjoyable, if somewhat under-rehearsed.
Unhurried suspense in a very English Parsifal

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.
