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ParísManon LescautNueva producción
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Puccini: Manon Lescaut
Lorenzo Passerini; Oliver Mears; Annemarie Woods; Fabiana Piccioli; Orchestre National de France
LondresI puritaniNueva producción
Bellini: I puritani
Riccardo Frizza; Richard Jones; The Royal Opera; Hyemi Shin; Nicky Gillibrand; Adam Silverman; Orchestra of the Royal Opera House Covent Garden
LondresLa bohème
Puccini: La bohème
Lorenzo Passerini; Richard Jones; The Royal Opera; Stewart Laing; Mimi Jordan Sherin; Orchestra of the Royal Opera House Covent Garden
LondresAlcina
Handel: Alcina
David Bates; Richard Jones; The Royal Opera; Antony McDonald; Lucy Carter; Orchestra of the Royal Opera House Covent Garden
LondresIl trittico
Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
Últimas críticasVer más...
Delicias navideñas: La bohème retorna al Teatro Real
El Teatro Real nos trae una producción para todos los públicos, acompañada de un excelente reparto: unos cantantes de primera línea que construyen un plantel sin mácula.
Bernstein’s devastating double bill of raw emotion cuts to the bone
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Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre.
Impressive Royal Opera debut by Ruzan Mantashyan in Bohème revival
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The Armenian soprano sweeps all before her in a delightfully controlled, touching performance, enhanced by a voice that would melt the stoniest of hearts.
Lucid in music and narrative: ENO's Rhinegold
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Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.
Into the lion's mouth: Ponchielli's La Gioconda at Grange Park Opera
No hippos in tutus for The Dance of the Hours, but panto frolics abound in Stephen Madcalf's staging in the idyllic Theatre in the Woods.
Richard Jones’ second London Ring falters at the first fence
Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle.