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Falling for Kyle Abraham, again, at New York City Ballet
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When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB: All Balanchine program felled by miscasting
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An uneven performance with mishaps and mis-pairings, yet still offering some outstanding individual interpretations.
Classic NYCB I... Or when the middle act is really the closer
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Concerto DSCH received a raucous reception during curtain calls. It’s a classic closer for an evening in that it sends everyone home happy. It doesn’t below as the middle ballet. Programming gods at NYCB, are you listening?