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LondresDisruptors: Tanowitz, Junker, McGregor
Hearne, Frahm, Talbot
Sir Wayne McGregor; The Royal Ballet; Geoffrey Paterson; John Pawson; Harriet Jung; Simon Bennison
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Respighi’s Lucrezia compels in Guildhall School’s double bill
Pleas for more Respighi operas are answered as the students of the Guildhall School of Music and Drama give the UK premiere of Lucrezia, paired with Ethel Smyth's Der Wald.
Encounters: The Royal Ballet at its versatile best
In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.
English National Ballet School embraces the unconventional
English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.
The Dante Project: beautiful dancing but hard to discern a narrative
Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.
Hearing in colour: Kochanovsky conducts ecstatic Scriabin
Multi-sensory music? Scriabin's Prometheus, Poem of Fire tickles the senses in an ecstatic performance under Stanislav Kochanovsky.