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Intérprete: Teatro di San Carlo

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NaplesToscaNew production

Carmen Giannattasio (Tosca) and Amartuvshin Enkhbat (Scarpia) © Mario Wurzburger | Teatro di San Carlo
Puccini: Tosca
Donato Renzetti; Edoardo De Angelis; Teatro di San Carlo; Mimmo Paladino; Massimo Cantini Parrini; Carmen Giannattasio; Monica Zanettin

NaplesNorma

Bellini: Norma
Francesco Ivan Ciampa; Lorenzo Amato; Teatro di San Carlo; Ezio Frigerio; Franca Squarciapino; María José Siri; Angela Meade

NaplesWinter Journey

Einaudi: Winter Journey
Carlo Tenan; Roberto Andò; Teatro di San Carlo; Gianni Carluccio; Coro del Teatro di San Carlo

NaplesDie Zauberflöte (Il flauto magico)

Mozart: La flauta mágica (Die Zauberflöte)
Asher Fisch; Roberto Andò; Teatro di San Carlo; Maurizio Agostini; Giovanni Carluccio; Nanà Cecchi; Goran Jurić

NaplesL'Amour des trois oranges (L'amore delle tre melarance)

Prokofiev: L’amour des trois oranges (The Love for Three Oranges)
Juraj Valčuha; Alessandro Talevi; Teatro di San Carlo; Justin Arienti; Manuel Pedretti; Goran Jurić; Bogdan Volkov
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In Naples, Tosca lives, loves and dies in the land of nowhere

Carmen Giannattasio (Tosca) and Amartuvshin Enkhbat (Scarpia) © Mario Wurzburger | Teatro di San Carlo
Film director Edoardo De Angelis sets his Tosca in a devastated, dystopiian suburb which mirrors and emphasises the opera's social degradation and immoral elements.

The Queen of Spades plays her cards right in Naples

Misha Didyk (Hermann) and Anna Nechaeva (Lisa) © Luciano Romano e Francesco Squeglia
Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.

Rossini's Ermione returns to its birthplace in Naples

Angela Meade (Ermione) © Francesco Squeglia
A bland staging: at the end what really emerged was Rossini’s glorious music, its intelligent construction and perfect beauty.

A solid Traviata closes the San Carlo season in Naples

Maria Mudryak (Violetta) © Francseco Squeglia
A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.

Piety and violence in San Carlo's Cavalleria rusticana

Marcelo Álvarez (Turiddu) and Violeta Urmana (Santuzza) © Luciano Romano
Notwithstanding director Pippo Delbono's narcissistic excesses, his staging confirmed itself as effective and penetrating.