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Nueva YorkThe Met Orchestra

Bruckner: Sinfonía núm. 8 en do menor, WAB 108
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin
Nueva YorkThe Met Orchestra

Unknown, Mahler
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Joyce DiDonato
LondresThe Met Orchestra Plays Strauss

Strauss R.
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Elza van den Heever
LondresThe Met Orchestra Plays Mahler

Saariaho, Mahler
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Joyce DiDonato
LucernaThe Met Orchestra
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Mazzoli, Mahler
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Joyce DiDonato
ParísThe Met Orchestra / Yannick Nézet-Séguin / Elza van den Heever - R. Strauss
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Strauss R.
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Elza van den Heever
Últimas críticasVer más...
The Met’s Frida y Diego proves visually stunning, musically thrilling
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Deborah Colker and her design team create visually vibrant worlds for the Met’s new production of El último sueño de Frida y Diego, by Pulitzer Prize winner Gabriela Lena Frank.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
Tristan und Isolde at the Met: staging gets in the way of the music
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Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.
Met Orchestra brings a long neglected symphony back to life
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William Levi Dawson’s Negro Folk Symphony, overlooked for decades, heads an all-American program of 20th-century works in New York.
Ailyn Pérez is the perfect Butterfly in the Met’s revival
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Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.
