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LucernaThe Met Orchestra
Mazzoli, Mahler
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Joyce DiDonato
ParísThe Met Orchestra / Yannick Nézet-Séguin / Elza van den Heever - R. Strauss
Strauss R.
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Elza van den Heever
ParísThe Met Orchestra / Yannick Nézet-Séguin / Joyce DiDonato - Saariaho, Mahler
Saariaho, Mahler
The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; Joyce DiDonato
Nueva YorkMacbethNueva producción
Verdi: Macbeth
Yannick Nézet-Séguin; Louisa Proske; Metropolitan Opera; Jon Bausor; Montana Levi Blanco; Adam Silverman; The Metropolitan Opera Orchestra
Nueva YorkCosì fan tutte
Mozart: Così fan tutte
Nimrod David Pfeffer; Phelim McDermott; Metropolitan Opera; Tom Pye; Laura Hopkins; Paule Constable; The Metropolitan Opera Orchestra
Nueva YorkLa bohème
Puccini: La bohème
Ramón Tebar; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
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The Met Orchestra and Nézet-Séguin tame the Royal Albert Hall
The New Yorkers show their qualities in a blissful Mahler Fourth, with soloist Joyce DiDonato also wowing the Royal Albert Hall.
Van den Heever soars and The Met Orchestra glows in BBC Proms debuts
Yannick Nézet-Séguin returns to the Proms with an all-Strauss programme, bringing his charges from the Metropolitan Opera, New York, and soprano Elza van den Heever for a slice of Salome.
YNS, Met Orchestra and Bruckner challenge and reward at Carnegie Hall
Battling short attention spans, The Metropolitan Opera Orchestra delivers a riveting performance of Bruckner 8 in their summer series at Carnegie Hall.
The Met’s Frida y Diego proves visually stunning, musically thrilling
Deborah Colker and her design team create visually vibrant worlds for the Met’s new production of El último sueño de Frida y Diego, by Pulitzer Prize winner Gabriela Lena Frank.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.