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Holst and Weir operas from the Guildhall School of Music
Two accomplished performances bring emotional depth only intermittently, but show ample security of singing and playing.
Celine Byrne makes INO's Butterfly a memorable experience
Byrne is stunning in the title role while a strong cast of singers, orchestra, classic sets and dramatic acting make this a thoroughly enjoyable performance.
Powder Her Face is gloriously kinky in Dublin
Top accolades go to soprano Mary Plazas, whose Duchess was at once despicable for her sense of entitlement and her racist and anti-Semitic views, and heartbreakingly vulnerable with her realisation at the end that "the only people who were ever good to me were paid for it".
Menotti's fiercely topical Consul at Guildhall
Guildhall School of Music and Drama tackles Gian Carlo Menotti's rarity, a tale of stateless and paperless 'citizens of nowhere' seeking refuge amid Kafkaesque bureaucracy.
Simply brilliant: Simplicius Simplicissimus
The first UK production of Karl Amadeus Hartmann’s 1930s anti-war opera Simplicius Simplicissimus is a musical and dramatic triumph, and as pertinent as ever
A surrealist Minotaur and devils in tutus
The Guildhall School of Music and Drama is firing on all cylinders with this double bill of rare surrealist operas by Martinů.