Exaudi at Kings Place

Por Paul Kilbey, 13 marzo 2012

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Kings Place: Hall Two, Londres el 12 marzo 2012

Cage, Five

Kagel, 5 Vokalisen

Fokkens, Flytrap (world première)

Bailie, Harmonizing (Artificial Environment no. 7) (world première)

Lucier, Unamuno

Aperghis, Recitations (selections from)

Fox, one/two/three/four-piece

Clementi, Im Frieden dein o Herre mein

Cage, Four^2

Exaudi

James Weeks, Dirección musical

Oliver Leith’s Garland: dreamlike chaos in a Peckham car park

Marat Ingeldeev, 18th September

Only Bells and Horses: Garland transforms a Peckham car park into a dreamlike, chaotic spectacle of musicians, objects and voices – thrilling, poignant and unabashedly emotional.

****1

A Requiem for Peace: Exaudi saves the day at London’s Kings Place

Christopher Woodley, 16th February

A sonorous performance by Exaudi brings to life Eugene Birman's Requiem for Peace, Russia: Today.

***11

La créativité des Voix Nouvelles 2021 à Royaumont

Clara Leonardi, 5th September

Le Festival de Royaumont présente en deux concerts « Voix Nouvelles » les recrues de son Académie 2021 : un florilège passionnant où jeunes compositeurs et compositrices rivalisent d’imagination !

****1

Grey reverie and awkward electronics

Danny Riley, 6th September

The LCO and Actress present tantalizing textures, while new works of placid emotion envelop the senses.

***11

Birtwistle's early gems mesmerise

Katy Wright, 6th September

Lean yet nuanced performances from Oliver Knussen and the Birmingham Contemporary Music Group in commemoration of Harrison Birtwistle's 80th birthday

****1

Prom 47: John Cage night

Paul Kilbey, 17th August

Now they know how many cacti it takes to fill the Albert Hall. Last night’s marathon John Cage Prom finished up, over three hours after it had started, with a wonderfully cactus-heavy performance of Branches (1976).

*****

Más críticas...

Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.