The King's Consort: Musical Oysters at Wilton's Music Hall

Por James Potter, 16 febrero 2012

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Crítica hecha desde Wilton's Music Hall, Londres el 14 febrero 2012

Programa por anunciar

The King's Consort

The King’s Consort ofrece un Mesías moderado en el Auditorio

Ramón del Buey Cañas, 17th December

El planteamiento y la ejecución de Robert King fueron los de un Mesías con las virtudes y los defectos de lo domesticado.

***11

Homenaje a Shakepeare

Pablo FitzGerald Cerdán, 2nd February

The King's Consort realizan un viaje por el siglo XVII inglés, con música escrita en torno a las obras de Shakespeare.

*****

Festkonzert with Carolyn Sampson: Handel's Heroines

Sandra Bowdler, 13th June

Carolyn Sampson returns joyfully to the Halle Handel Festival, accompanied by trumpeter Neil Brough and the King's Consort under Robert King.

****1

Messias mit dem King's Consort in Essen

Jens Klier, 18th December

Eine etwas zu besinnliche Messias-Tradition verhindert ein spannenderes, abwechslungsreicheres Erlebnis, das aber vom Ensemble hervorragend musiziert wurde.

***11

Fitting Handel like a glove

Travis Mason, 14th January

Iestyn Davies and The King's Consort a real highlight at the Valletta International Baroque Festival.

****1

An Acis and Galatea without sparkle in Versailles

Vesna Gerintes, 28th June

Handel’s original version of Acis and Galatea was written in 1717–18 at Cannons, a stately home in Middlesex. Composed with light orchestration, it was not meant to be performed in an opera theatre, but rather in this private mansion.

**111

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James Potter

James Potter is a musician and writer based in Oxford, with a diverse portfolio of work including singing, playing, editing, transcribing, and writing about music. He enjoys a wide variety of styles, with an especial interest in early music performance, and blogs on the interactions of music and video games here.