Datos
| Address | 1st Floor 128 King William Street Adelaide South Australia Australia |
| Google maps | 34° 55' 34.054" S 138° 36' 1.195" E |
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AdelaidePekka Kuusisto: Legends & Luminaries

Mozart, Muhly, Reid, Mendelssohn
Australian Chamber Orchestra; Pekka Kuusisto
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Keitaro Harada brings out vivid orchestral perspectives with the ASO

Australian pianist gives the world premiere of Katia Beaugeais' Piano Concerto no. 1 between performances of Stravinsky and Mussorgsky classics
Luigi Rossi's Orfeo makes it a hat trick for Pygmalion in Adelaide

A wonderful performance of a hitherto little known 17th-century version of the Orpheus legend is performed by Raphaël Pichon and Pygmalion at the Adelaide Festival.
Good Night World: Pygmalion opens the Adelaide Festival in style

The French ensemble Pygmalion enraptures the audience at the first night of the Adelaide Festival with a concert of music by JS Bach and his predecessors.
Pierrot Lunaire: sex and madness at the Adelaide Festival
This electic performance of Pierrot Lunaire was preceded by a clutch of contemporary Australian works (and a poem), which served to demonstrate that Schoenberg's modernity is still way ahead of the times.
A much anticipated amazing Girls Night Out in Adelaide
When two internationally acclaimed sopranos, two internationally acclaimed mezzos, a brilliant world-renowned conductor, the Adelaide Symphony Orchestra and the music of Richard Strauss align all the elements of a magnificent, thrilling evening have gelled.
Adelaide Symphony’s Master Series launches with Saint-Saëns
A marvellous Saint-Saëns “Organ Symphony” makes great use of the Adelaide Town Hall organ.
Tragedy and comedy in a double bill in Adelaide
Manuel de Falla’s rarely performed La Vida Breve and Giacomo Puccini’s comic Gianni Schicchi are quite contrasting mini-operas, united by common threads of deception and the clash of class distinction.
Concerto Italiano’s classy L’Orfeo thrills
Concerto Italiano excels performing Baroque music, especially the works of Monteverdi. This year it highlights L’Orfeo in its 410th year, and does it exceptionally well.
