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GlyndebourneIl turco in Italia
Rossini: Il turco en Italia
Bertie Baigent; Mariame Clément; Glyndebourne Festival Opera; Jack Gonzalez-Harding; Julia Hansen; Bernd Purkrabek
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
GlyndebourneL’OrfeoNueva producción
Monteverdi: L'Orfeo (Orpheus), SV318
Jonathan Cohen; William Kentridge; Glyndebourne Festival Opera; Sabine Theunissen; Greta Goiris; Urs Schönebaum; Orchestra of the Age of Enlightenment
GlyndebourneAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
GlyndebourneDie Entführung aus dem Serail (The Abduction from the Harem)
Mozart: El rapto en el serrallo (Die Entführung aus dem Serail)
Evan Rogister; Sir David McVicar; Glyndebourne Festival Opera; Vicki Mortimer; Paule Constable; Orchestra of the Age of Enlightenment
GlyndebourneToscaNueva producción
Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
Últimas críticasVer más...
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.
Glyndebourne’s first Tosca: vocally strong but imperfect
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
The Railway Children becomes a pacy action thriller at Glyndebourne
Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.
Glyndebourne’s iconic Dream approaches its century
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
All the world’s a jest: Falstaff returns to Glyndebourne
Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.
A strong new Figaro opens at Glyndebourne
Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.