Sala: Romanian Atheneum (Ateneul Român), Bucarest

Sparkling Haydn from the Mahler Chamber Orchestra leads the way into an eclectic programme at the Enescu Festival. 

A radiant chemistry between Céline Scheen and Philippe Jaroussky is evident in an evening of Caldara and Pergolesi in Bucharest. 

Promoting Leonore, the original version of Beethoven's Fidelio, René Jacobs made several choices of his own, only some of them justifiable.

In the Bucharest performance, the individual vocal contributions were consistently good, with some really standing out.

Centuries can envelop a musical masterpiece in a cocoon of misconceptions and false interpretations as much they leave their mark in the form of dirt and grime on a painting’s surface.

Europa Galante's musicians’ collective expertise in playing music of the 17th and 18th centuries is indisputable and was in full display once again in Bucharest. 

Vengeron and Papian explored what lies under the shiny surface of late 19th century repertoire

Au programme de ce "concert de minuit" du festival Enescu : Misha Masky et la Philharmonie de chambre de Saint-Pétersbourg dans des pièces d'Enescu, Tchaïkovsky, Bruch et Mendelssohn. Concert assez mitigé, avec un orchestre qui manque de caractère et un violoncelliste qui malgré toutes ses qualités indéniables manque de justesse.