Obra: Die Mainacht (The May Night), Op.43 no.2

The pleasure of Gerhaher’s comforting persona and his instinctive convergence with Huber’s pianism won over the Wigmore Hall audience – as they invariably do.

Un dimanche matin au Théâtre des Champs-Élysées et un concert d'anthologie, porté par l'alto de Lise Berthaud, le piano d'Adam Laloum, la voix de Lucile Richardot, le violon de Pierre Fouchenneret...

In a highly versatile recital, soprano Renée Fleming was at her best in unaffected songs and operetta.