Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Datos
| Compositor | Ravel, Maurice (1875-1937) |
| Periodo | Principios de s.XX |
| Libretista | Colette |
| Tipo de obra | Opera / Oratorio |
Próximos eventosVer más...
BruselasL'Enfant et les Sortilèges
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Ravel
La Monnaie Symphony Orchestra; Alain Altinoglu; Marie-Juliette Ghazarian; Lotte Verstaen; Lisa Willems; Emma Posman
GenevaOrchestra Academy
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Respighi, Ravel
Orchestre de la Haute École de Musique Geneve; Jonathan Nott; Orchestre de la Suisse Romande
EdinburghEthan Loch Plays Gershwin
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Dukas, Gershwin, Ravel
Royal Scottish National Orchestra; Thomas Søndergård; Ethan Loch; Katie Coventry; Unknown; RSNO Youth Chorus
Últimas críticasVer más...
Ma mère l'Oye et les sortilèges : un Ravel de féerie à Garnier
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Associant deux œuvres majeures de Ravel (le ballet Ma mère l’Oye et la fantaisie lyrique L’Enfant et les sortilèges), cette production est un spectacle de féerie dans lequel s'illustrent les jeunes talents de l'Opéra.
Puccini/Ravel double bill opens the new opera season in Tokyo
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The 2023–24 season at the New National Theatre, Tokyo, opens with straightforward stagings of an unusual double bill of Suor Angelica and L’Enfant et les sortilèges.
Nightmares dressed as daydreams: Respighi and Ravel at the RCM
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An opportunity to hear one of Respighi's operas in the UK is a real treat; the composer's take on Sleeping Beauty, La bella dormente nel bosco, is an ideal companion to to Ravel's L'Enfant et les sortilèges in a terrific double bill at the Royal College of Music.
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ParísL'Enfant et les sortilèges
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Ravel
Patrick Lange; Richard Jones; Opéra national de Paris; Antony McDonald; Matthew Richardson; Orchestre de l'Opéra national de Paris
Latest articles
Inventive double bills at New National Theatre Tokyo’s 2023–24 season
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Beginning with an unusual Puccini/Ravel double bill, and with two new productions and an array of revivals, New National Theatre Tokyo’s season 2023–24 has much to offer.
Bachtrack top ten: Maurice Ravel
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“I've written only one masterpiece. Unfortunately it has no music in it.” To which work was the self-critical Maurice Ravel referring and where does it come in our playlist of the dapper Frenchman’s top ten?