Schillertheater: Großer SaalBismarckstraße 110, Berlin, 10625, Germany
Dates/times in Berlin time zone
Saturday 21 February 2026 | 19:00 |
Wednesday 25 February 2026 | 19:00 |
Sunday 08 March 2026 | 16:00 |
Friday 20 March 2026 | 19:30 |
Saturday 04 April 2026 | 19:30 |
Sunday 26 April 2026 | 16:00 |
Saturday 09 May 2026 | 19:30 |
Friday 15 May 2026 | 19:00 |
Performers
Komische Oper Berlin | | | |
James Gaffigan | Conductor | | |
Dagmar Manzel | Director | | |
Korbinian Schmidt | Set Designer | | |
Victoria Behr | Costume Designer | | |
Olaf Freese | Lighting Designer | | |
Orchester der Komischen Oper Berlin | | | |
Kinderchor der Komischen Oper Berlin | | | |
Sophia Jira | Dramaturgy | | |
Dagmar Fiebach | Choirmaster / chorus director | | |
Christoph Jonas | Choreography | | |
Günter Papendell | Baritone | Peter / Father | 2026 Feb 21, Mar 20, Apr 04, 26 |
Joachim Goltz | Baritone | Peter / Father | 2026 Feb 25, Mar 08, May 09, 15 |
Mirka Wagner | Soprano | Gertrude / Mother | 2026 Feb 21, Mar 20, Apr 26, May 15 |
Ulrike Helzel | Mezzo-soprano | Gertrude / Mother | 2026 Feb 25, Mar 08, Apr 04, May 09 |
Elisabeth Wrede | Mezzo-soprano | Hänsel | 2026 Feb 21, 25, Mar 08, Apr 04, May 09 |
Susan Zarrabi | Mezzo-soprano | Hänsel | 2026 Mar 20, Apr 26, May 15 |
Penny Sofroniadou | Soprano | Gretel | 2026 Feb 21, 25, Mar 08, May 09, 15 |
Alma Sadé | Soprano | Gretel | 2026 Mar 20, Apr 04, 26 |
Ivan Turšić | Tenor | Witch | 2026 Feb 21, Mar 08, 20, Apr 04 |
Thomas Ebenstein | Tenor | Witch | 2026 Feb 25, Apr 26, May 09, 15 |
Elisa Maayeshi | Soprano | Dew Fairy, Sandman | |
Engelbert Humperdinck’s celebrated fairy-tale opera for the whole family has returned to the stage of the Komische Oper Berlin! In this new production by Dagmar Manzel, the story of the siblings lost in the forest burgeons with fresh new life, full of childlike imagination, poetic wit, and plenty of magic.
It’s every parent’s nightmare: one minute you’re scolding the kids, the next minute they’ve disappeared! Hansel and Gretel have grown up living from hand to mouth. So it’s no wonder when they’re sent into the woods to gather berries. But that’s exactly when Hansel and Gretel immediately lose their way, after a quarrel with their mother. Left alone with their thoughts and fears – but also with their boundless imagination – the two children discover the world of the forest for themselves. And when they stumble upon a witch’s house overflowing with treats, their worries and hunger seem banished forever. If only there weren’t this thing with the witch … because she thinks her gingerbread is even better when children are part of the ingredients. It’s in their moment of greatest need that Hansel and Gretel ultimately prove their amazing strength in defeating evil together.
Hansel and Gretel remains one of the most famous fairy tales by the Brothers Grimm, to which Engelbert Humperdinck has erected a musical monument with this opera, colourful and affecting like a Richard Wagner composition, gripping like an adventure story, and full of space for magic and imagination.
After the great success of her Pippi Longstocking, Dagmar Manzel now tackles another classic of children’s literature. Here, she’s reviving the magic of the German fairy tale, with all its inexplicable facets, eerie details, and invincible belief in goodness. Musical support is provided by conductor Yi-Chen Lin, who conjures up Humperdinck’s enchanting sounds from the depths of the forest floor.