| Ádám Fischer | Conductor | ||
| Cesare Lievi | Director | ||
| Maurizio Balò | Set Designer | ||
| Marina Luxardo | Costume Designer | ||
| Hungarian National Philharmonic Orchestra | |||
| Male Choir of the Hungarian National Philharmonic | |||
| Allison Oakes | Soprano | Isolde | |
| Peter Seiffert | Tenor | Tristan | |
| Matti Salminen | Bass | King Marke | 2018 Jun 07, 13 |
| Liang Li | Bass | King Marke | 2018 Jun 16 |
| Atala Schöck | Mezzo-soprano | Brangäne | |
| Neal Cooper | Tenor | Melot | |
| Zoltán Megyesi | Tenor | Shepherd | |
| Istvan Horvath | Tenor | Young seaman | |
| Zsolt Haja | Baritone | Helmsman | |
| Boaz Daniel | Baritone | Kurwenal |
Although the immortal story of the two lovers had become a permanent part of the universal history of civilisation prior to the 19th century, it was probably with Wagner's music drama, in which he attempted to unify the two great obsessions of the time, that it became an essential emblem of the Romantic era.