| Ádám Fischer | Musikalische Leitung | ||
| Cesare Lievi | Regie | ||
| Maurizio Balò | Bühnenbild | ||
| Marina Luxardo | Kostüme | ||
| Hungarian National Philharmonic Orchestra | |||
| Male Choir of the Hungarian National Philharmonic | |||
| Allison Oakes | Sopran | Isolde | |
| Peter Seiffert | Tenor | Tristan | |
| Matti Salminen | Bass | König Marke | 2018 Jun 07, 13 |
| Liang Li | Bass | König Marke | 2018 Jun 16 |
| Atala Schöck | Mezzosopran | Brangäne | |
| Neal Cooper | Tenor | Melot | |
| Zoltán Megyesi | Tenor | Hirte | |
| Istvan Horvath | Tenor | Junger Seemann | |
| Zsolt Haja | Bariton | Steuermann | |
| Boaz Daniel | Bariton | Kurwenal |
Although the immortal story of the two lovers had become a permanent part of the universal history of civilisation prior to the 19th century, it was probably with Wagner's music drama, in which he attempted to unify the two great obsessions of the time, that it became an essential emblem of the Romantic era.