There are few things more reassuring than the sight of Paavo Järvi taking to the podium, baton in hand, wearing a wry smile. After a year where most orchestras and opera companies have had their schedules wiped due to the pandemic, new season announcements are seen as an affirmation of the classical music world building some sort of recovery, while adapting to the new climate and regulations. Among jargon such as the “new normal”, it’s reassuring to see the NHK Symphony Orchestra, Tokyo announcing its usual roster of international conductors and soloists for its 2021-22 series of subscription concerts.
This is Järvi’s final season at the helm. Music Director from 2016, the popular Estonian steps down in 2022, handing over the baton to the Italian maestro, Fabio Luisi. There is a natural feel of transition next season, with Luisi already scheduled to conduct five different programmes in Tokyo. Järvi opens proceedings with an all Bartók concert, pairing the suite from his sinister pantomime ballet The Miraculous Mandarin (the subject being an assault victim who refuses to die) with the more jocular Concerto for Orchestra.
Järvi then reappears in February with two programmes that play to the NHK SO’s strengths in core, central European repertoire. Igor Levit joins the orchestra for Brahms’ magnificent Second Piano Concerto, more autumnal and elegiac than the mighty First. Järvi follows it with Schumann’s Second Symphony. The next week then sees two Richard Strauss pieces, one familiar – the epic mountain trek that is the Alpine Symphony – and one decidedly unfamiliar – the 25-minute Symphonic Fragment from the ballet The Legend of Joseph, based on the biblical tale of Potiphar’s Wife. For his final subscription concert as Music Director, though, Järvi turns to English and American repertoire. The Four Sea Interludes from the opera Peter Grimes are incredible evocations of the sea and skies of Britten’s native Suffolk coast, while the Enigma Variations not only capture Elgar’s friends in musical portraits, but also his beloved Malvern Hills near Worcester. In between, American violinist Hilary Hahn steers matters stateside with Samuel Barber’s Violin Concerto.
A season ahead of taking up the reins, Luisi rolls up his sleeves and conducts five NHK programmes. Like Järvi, Luisi is an advocate of Franz Schmidt’s symphonies, rich in fin de siècle Viennese sumptuousness, and he has chosen the Second Symphony (1911-13) to open his account. Anton Bruckner is another Luisi favourite (he recently bid farewell to the Opernhaus Zürich with the Seventh Symphony) and he conducts the Fourth (often dubbed “The Romantic”) in the Tokyo Metropolitan Theatre. A third programme pairs Paganini’s First Violin Concerto, featuring Italian violinist Francesca Dego, with Tchaikovsky’s fatalistic Fifth Symphony.