Final concerts of the season are often a time to reflect on past success and anticipate all that is new. Tonight’s concert in Utrecht, the last in the current Avrotros Friday Concert season, did just that, amassing large forces and a dazzling array of soloists for Elgar’s The Dream of Gerontius, arguably one of the finest works in the British choral repertoire and the pinnacle of every British choral society’s calendar. Combining the best of British oratorio with the intricate storytelling and characterisation of opera, this dramatic tale, based on a text by John Henry Newman, depicts man’s final journey as he begs God to cleanse his soul and provide safe passage to heaven. The challenge then facing the Netherlands Radio Philharmonic Orchestra and their Chief Conductor Karina Canellakis – to plunge the emotional depths and confront death’s anguish head on. Joined by the Groot Omroepkoor of just over 70 singers, and with many empty seats in the hall, would they have the gravitas to embark upon that dramatic journey?
A tentative orchestral opening quickly set the tone and, while building to an impressive climax, all felt rather hurried. Cellos and violas found space to let the important dotted rhythm linger, but this was not always the case with the motif passed around. Elgar’s Gerontius is more a marathon than a sprint; a very real journey to be endured.
The past couple of months have been busy for the Groot Omroepkoor with two stunning Mahler Festival performances at the Concertgebouw very firmly under their belt. A busy time too for choirmaster Edward Ananian-Cooper, drafted in just two weeks ago. Tonight sadly, was not quite so compelling; with the rather hectic tempo, they faced an uphill battle enunciating the tricky English text, especially in the contrapuntal passages. “Be merciful” lacked a degree of sincerity and their demonic “Ha! Ha!”s never quite found that venomous flame. However, there were moments where they shone and “Glory to Him” was most convincing.