Live, Video: Concerts

William Levi Dawson’s Negro Folk Symphony, overlooked for decades, heads an all-American program of 20th-century works in New York. 

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

Fretwork bring the expected and the startlingly unexpected to Sheffield in a revealing evening of music for viol consort. 

The CBSO’s Birmingham’s Town Hall matinee sets forth a curious mix of Baroque, Classical, and modern music, sandwiching a lesser-known concerto between some familiar tunes.

Jean Rondeau’s anniversary tribute to Louis Couperin reveals a refined but inward-looking aesthetic – beautifully controlled, yet ultimately lacking the rhetorical energy, physicality, and communicative spark essential to this music.

In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

At TivoliVredenburg’s Grote Zaal: a program of Beethoven, Liszt, and Schumann that, intentionally or not, invited reflection on long-range musical continuity.

Dazzling young German pianist Julius Asal and stand-in conductor Duncan Ward breathe new life into the familiar in repertoire by Grieg and Sibelius.

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.