The combined forces of Mexico’s most prominent conductor Carlos Miguel Prieto and the leading Spanish clarinettist Sergio Castelló López lent a slightly new sound to the Hallé.
Concluding Gardiner's Schumann cycle, it was a memorable concert, with a memorable Spring Symphony and a musical Manfred Overture. The Beethoven first piano concerto proved an unlikely hero.
Rafael Payare and the Ulster Orchestra present a programme of music that looks both backwards and forwards from composers who were musical visionaries.
Elim Chan lead the Los Angeles Philharmonic through a high-powered program of Chinese and French music that began and ended with virtuoso showpieces written less than 30 years apart.
Anna Maria della Pietà may not be the most celebrated violinists in history, but she inspired Antonio Vivaldi to write some of his finest concertos, two of which were heard in this tribute to three of the Red Priest's muses.
This titanic performance of Busoni’s 70-minute concerto was riveting, but exhausting to hear. It was preceded by a sparkling reading of Haydn’s “Military” Symphony.
For their 2019 season-opener, Tognetti and the ACO collaborate with the Estonian Philharmonic Chamber Choir to give a meditative, quasi-religious program centred on Bach and Pärt.
The SCO delights and charms with François Leleux, Carolyn Sampson and Eleanor Hudson in a thoughtful programme of French music linking the Debussy and Berlioz anniversaries.
Sir Roger Norrington and a strong cast joined a Baroque-style London Philharmonic Orchestra in a highly accomplished Dido and Aeneas, preceded by Handel’s clean and stately Water Music.
Ben Gernon conducted the BBC Philharmonic in Manchester’s Bridgewater Hall in colourful Stravinsky and soulful Tchaikovsky, while Cooper encapsulated this in Mozart.
The Malta Philharmonic Orchestra, with their Dutch-Maltese conductor Lawrence Renes and the British soprano Emma Bell, embrace the cause of Wagner and Bruckner in the heart of the Mediterranean.
Maurice Ravel met Jean Sibelius at the Royal Festival Hall for a programme to which each composer contributed a waltz, but the musical terrain was anything but a level playing field.
The New York Philharmonic premieres Julia Wolfe’s remembrance of the victims of the 1911 Triangle Shirtwaist Factory fire and plays an elegy to LBJ and an Aaron Copland jazz concerto.
