Artikel von Alan Coady

Phantasm in an intimate, late night Art of Fugue for consort of viols. 

Danny Driver thrills in an imaginatively conceived and wonderfully executed programme of Ligeti and Debussy. 

Pianist Steven Osborne delights a packed Dunbar Parish Church in a recital of Schubert and Rachmaninov. 

John Butt's Dunedin Consort in an illustration and exploration of coffee house culture in Bach's 1730s Leipzig. 

Tender Sibelius, Mozart brimming with personality and heroic Beethoven in the opening concert of the sixth Lammermuir Fetival. 

Gergiev and the LSO in an explosive, primeval Rite of Spring.

Tilson Thomas and the San Francisco Symphony in reflective and raucous Ives, virtuosic Beethoven and dramatic Tchaikovsky. 

Tilson Thomas and the San Francisco Symphony electrify Edinburgh with Mahler 1. 

A morning of wonderful and varied chamber music from the Budapest Festival Orchestra Soloists in Edinburgh.

If we consider Domenico Scarlatti an honorary Spaniard, since half of his life was spent there, then this was an entirely Spanish programme. 

The Edinburgh Quartet in a programme of early works showing promise - then and now - and radical change of direction. 

Peter Oundjian and the RSNO perform an imaginative programme airing the varied moods and influences which make up modern America.

Thomas Søndergård and the RSNO in an evening of minor key late symphonies separated by a dazzling clarinet concerto.

The Edinburgh Quartet in a fine examination of Mendelssohn, Schumann, influence and originality.

Quatuor Ebène delight a Queen's Hall audience with Haydn, Dutilleux and Brahms.

Three concertos and a symphony; three soloists and an ever-expanding chamber orchestra; the SCO in Stravinsky, Mozart and Beethoven.

Peter Oundjian and the RSNO star in a celebration of orchestration, with guest Steven Osborne. 

Die Welt des Kinos teilt sich in zwei Lager: die Menschen im einen Lager glauben, dass eine konstante Wiederbesetzung mit den Favoriten aus einer geschlossenen Gesellschaft von Schauspielern das bewusste Einlassen auf die Fiktion letztlich gefährde, die Menschen im anderen Lager sehen das nicht so.

Llŷr Williams, Alexander Janiczek and the Scottish Chamber Orchestra in a triple concerto evening.

The Scottish Chamber Orchesra, under John Storgårds, in a programme of story, stage and music.