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Finde Artikel | Sarah Noble

Sarah Noble
Sarah Noble

Originally from New Zealand, Sarah Noble is an arts administrator and freelance writer whose articles and reviews have appeared in Limelight, Opera, NZ Opera News and The Opera Critic. After stints in Sydney, Orlando, London and Manchester, she's now based in Macclesfield but travels frequently in pursuit of live performance – operatic and otherwise. Sarah was previously the producer of the International Opera Awards and now works as production co-ordinator for a classical music filming company.

Autor:Sarah Noble
6 von 6 Artikel angezeigt
George Arvidson (Edward Brittain) and Audrey Brisson (Vera Brittain) © Genevieve Girling
Buxton

From the ballroom to the trenches: The Land of Might-Have-Been in Buxton

Von Sarah Noble, 15 Juli 2023
Setting the life of Vera Brittain to the music of Ivor Novello, Buxton Festival's new musical is a welcome if overambitious showcase for them both.
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George Arvidson (Edward Brittain) and Audrey Brisson (Vera Brittain) © Genevieve Girling
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Buxton
15 Jul 2023
From the ballroom to the trenches: The Land of Might-Have-Been
Von Sarah Noble
Christian Joel (Orlando) and Jolyon Loy (Zoroastro) © David J King
Buxton

Method without madness: an intriguing Orlando at Buxton Festival

Von Sarah Noble, 10 Juli 2023
Liberata Collective reveals the intricate language of Baroque gesture in a staging of one of Handel's most inventive operas.
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Christian Joel (Orlando) and Jolyon Loy (Zoroastro) © David J King
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Buxton
10 Jul 2023
Method without madness: an intriguing Orlando at Buxton Festival
Von Sarah Noble
Katie Coventry (Aminta) © Genevieve Girling
Buxton

Arcadia in the Peak District: Mozart's Il re pastore at the Buxton International Festival

Von Sarah Noble, 09 Juli 2023
Mozart's early opera seria may not be his greatest achievement – but lightness of touch from all involved highlight its charms in Jack Furness' new production. 
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Katie Coventry (Aminta) © Genevieve Girling
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Buxton
09 Jul 2023
Arcadia in the Peak District: Mozart's Il re pastore in Buxton
Von Sarah Noble
Francis Gush (Giulio Cesare) © Richard Hubert Smith
Buxton

Caesar conquers Buxton: ETO's slimmed-down Giulio Cesare strikes just the right note

Von Sarah Noble, 11 Mai 2023
Top notch singing, judicious pruning and production which prioritises human drama over camp spectacle make for an illuminating take on Handel's most frequently staged opera.
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Francis Gush (Giulio Cesare) © Richard Hubert Smith
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Buxton
11 Mai 2023
Caesar conquers Buxton: ETO's slimmed-down Giulio Cesare
Von Sarah Noble
Anna Dennis (Violet) © Marc Brenner
Buxton

Time on her side: fairytale meets feminism in Tom Coult’s Violet

Von Sarah Noble, 18 Juli 2022
A top notch ensemble brings Coult’s first opera luminously to life at the Buxton International Festival, finding renewed relevance in the post-pandemic era.
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Anna Dennis (Violet) © Marc Brenner
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Buxton
18 Jul 2022
Time on her side: fairytale meets feminism in Tom Coult’s Violet
Von Sarah Noble

Peter Grimes: Coliseum vs Empire Leicester Square

Von Sarah Noble, 01 April 2014
Earlier this year, English National Opera launched its own cinema broadcasts and, to my extreme delight, chose to begin with David Alden’s staging of Peter Grimes, starring my very own other half, Stuart Skelton, in the title role. By my count, of the thirty-odd performances of Peter Grimes I’ve seen in my life, very nearly half of them have been in Alden’s production
mehr
01 Apr 2014
Peter Grimes: Coliseum vs Empire Leicester Square
Von Sarah Noble