Finde Artikel | Frances Wilson

Two monumental works by Rzewski and Mahler performed with intensity, drama and authority by Igor Levit in a concert celebrating Frederic Rzewski's 80th birthday.

Evgeny Kissin gave a performance of immense power, energy and musical intellect in Beethoven's monumental Hammerklavier and a selection of Rachmaninov Preludes.

In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.

An intriguing concert performed on three pianos from different eras which revealed how composers responded to the piano technology available to them at the time.

Cedric Tiberghien brought Prokofiev's surreal Visions Fugitives and Mussorgsky's monumental Pictures at an Exhibition to life in a concert rich in musical colour, expression and vivid imagination.

Still only in its second year, the London Piano Festival has already established itself as a major player in the capital’s music scene.

Google “virtuoso pianist” and the image search results will throw up pictures of Richter, Brendel, Rubenstein, Horowitz, Argerich, Arrau, Rachmaninov, Liszt, Ashkenazy, Barenboim, Lang Lang, Yuja Wang, Trifonov, Pollini, Cziffra, Gould, Kissin, Uchida, Hough, Pires, Ogdon, Schiff, Cliburn, Hamelin, Schnabel, Cortot, Horowitz, Hess, von Bulow, Andsnes...

Russian pianist Pavel Kolesnikov gave a refined and intimate performance of works by Fryderyk Chopin in the penultimate Chamber Prom of the 2017 season.

A novel venue provided the unusual setting for an engaging and impressive performance by the Multi-Story Orchestr and Multi-Story Youth Choir of music by JS Bach, Kate Whitley and John Adams.

The first live performance of Philip Glass' Passages was a spellbinding fusion of modernity and tradition, an exquisite meeting of minds, music styles and instrumentation.

The passionate darkness of Brahms' First Piano Concerto is contrasted with David Sawer's The Greatest Happiness Principle and Haydn's elegant and sophisticated Symphony no. 99.

Igor Levit, praised for his distinctive and sometimes unconventional approach to Beethoven's 32 piano sonatas, brought his cycle to a close with a concert of profound philosophy and bold contrasts.

For nearly three weeks in August, renowned international performers and rising stars take to the stage to play the music of Bach and Chopin, and much, much more in this the thirteenth edition of the Chopin and his Europe International Festival, presented by the Fryderyk Chopin Institute in Warsaw.

American pianist Jonathan Biss explored the notion of late style in a programme of works by Schumann, Kurtág, Chopin and Brahms which revealed a common intensity of expression regardless of the composer's age.

Maurizio Pollini demonstrated why people still flock to hear him perform in sonatas by Beethoven and miniatures by Schoenberg.

An unusual pairing of works for two pianos by Brahms and Messiaen created a concert of unexpected contrasts, rich textures and exceptionally virtuosity.

Russian pianist Anna Tsybuleva, winner of the 2015 Leeds International Piano Competition, made her Wigmore Hall debut in a programme of fantasy-like works spanning 300 years of music history.

Pianist, composer and polymath Stephen Hough joined The Prince Consort for an evening of intriguing and startling gems, and a world première of Hough’s own witty, intricate, intimate and beautifully arresting art songs.

A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.

An insightful and engaging talk by Alfred Brendel on Liszt's B minor Sonata was followed by an intelligent and colourful performance by pianist Dénes Varjon.

Igor Levit makes an impressive start to his Beethoven cycle at Wigmore Hall with his intelligent and distinctive approach to this repertoire.

The Proms left its plush crimson comfort zone of the Royal Albert Hall and headed down to Peckham in south-east London for two concerts of muisc by Steve Reich, given by the Multi-Story Orchestra in a disused car park

French-Canadian pianist Louis Lortie brought Italy to London in a lunchtime recital which perfectly captured the vivid sights, sounds and colours of Naples and Venice.

Pianist Steven Osborne explored stillness in music in an intense and beautifully-controlled performance of works by American composers Morton Feldman and George Crumb.

The BBC’s biennial Young Musician competition reached its thrilling climax in an absorbing, nail-biting and inspirational final concert at London’s Barbican yesterday afternoon.

Hans Zender's composed interpretation of Schubert's great song-cycle Winterreise, sung by Ian Bostridge, with visuals by Netia Jones, reveals the stark beauty, timelessness and philosophical qualities of Schubert’s music and Mueller’s poetry.

Pierre-Laurent Aimard bought Messiaen's monumental Vingt Regards to life with vivid layers of sound and muscular energy.

Sir András Schiff is traversing the final three piano sonatas of Haydn, Mozart, Beethoven and Schubert in concerts which celebrate the sonata form and explore the notion of "late style" in relation to these composers.

A concert of music celebrating the folk traditions of Norway to accompanied a major exhibition of the work of Norwegian artist Nikolai Astrup at Dulwich Picture Gallery

Kozhukhin stamped his authority and musicality on this lunchtime recital from the opening notes of the Haydn Sonata to the final fleeting phrase of his second encore.

The Flanders Symphony Orchestra performed music by Mozart and Beethoven, with Russian pianist Nikolai Demidenko joining them for Chopin's Piano Concerto no. 1 in E minor.

In a concert celebrating 25 years since his Wigmore Hall debut, Polish pianist Piotr Anderszewski presented a programme of music with which he is most at home – works by Bach, Schumann and Szymanowski

An elegant venue with a fine acoustic and a beautiful Steinway piano, coupled with one of the UK's most gifted pianists active today made for an evening of music making of the highest calibre.

Pianist Dejan Lazićpresented an imaginative programme of music in which two greats of German music – Haydn and Schumann – were juxtaposed with dances by Shostakovich and Lazić himself, revealing his strengths.

A sensitive performance by pianist Pavel Kolesnikov revealed hidden nuances in Debussy's Préludes and L'isle joyeuse.

L’Arpeggiata brought the sensuous heat and vibrancy of Catalonia to London's Wigmore Hall in a concert featuring songs and music from the Aragon region of Spain.

In a concert of music by Mozart, Liszt, Mendelssohn and Chopin, pianist Jan Lisiecki demonstrated sparkling technique but with little sense of musicality or insight.

Stephen Hough's Barbican concert was carefully constructed to reveal every side of his personality - artistic, creative and philosophical.  

As part of Baroque Month, an exploration by Fran Wilson of Bach's incredible Goldberg Variations... fertile terrain for those who dare to walk there.

Music and words combined to recreate Jarvis Cocker's quirky radio programme Wireless Nights in this Prom with a distinctly watery theme.

Marking 25 years since the death of Leonard Bernstein, Prom 67 celebrated his writing for stage and screen in a lively and colourful performance by the John Wilson Orchestra.

Darkness and light were the main focus of Jeremy Denk's debut at the Chamber Proms in a programme which opened with Scriabin’s demonic  “Black Mass” piano sonata and closed with Beethoven’s otherworldly Op.111.

French organist Thierry Escaich offered a fascinating musical journey with a programme which juxtaposed the organ music of J S Bach with responses to it by Mendelssohn and Brahms, as well his own improvisations on themes by Bach.

The music of John Foulds and Olivier Messiaen and their shared interest in Hindu philosophy and the music of India created an exciting and life-affirming programme for Prom 38

Prom 29 had a distinctly French flavour, with themes of dance and birdsong running through the programme in a glittering performance of music by Mozart, Ravel, Messiaen and Stravinsky.

Canadian pianist Marc-Andre Hamelin combined intimacy, heroism and virtuosity in a concert of music by Field, Schubert, Liszt, Chopin and Yehudi Wyner.

French pianists François-Fréderic Guy and Jean-Efflam Bavouzet returned to London’s Wigmore Hall to present a programme of three 20th century orchestral scores transcribed for two pianos. 

A concert built on works central to the classical piano repertoire demonstrated Murray Perahia's understated virtuosity and his ability to allow the music to speak for itself.

A dark thread ran through Yevgeny Sudbin’s recital at London’s Queen Elizabeth Hall, from the sombre B minor sonata by Haydn to Scriabin’s infamous “Black Mass” sonata and Saint-Saens’ virtuosic Danse macabre.

One hundred years to the day since the death of Russian composer Alexander Scriabin, American pianist Garrick Ohlsson concluded his two-concert “Skryabin Focus” at London’s Wigmore Hall with a recital of works which spanned the final two decades of Scriabin’s life.